Three-time Academy Award (R) winner Meryl Streep goes electric and takes on a whole new gig - a hard-rocking singer/guitarist - for Oscar (R)-winning director Jonathan Demme and Academy Award (R)-winning screenwriter Diablo Cody in the uplifting comedy Ricki and the Flash. In a film loaded with music and live performance, Streep stars as Ricki, a guitar heroine who gave up everything for her dream of rock-and-roll stardom, but is now returning home to make things right with her family. Streep stars opposite her real-life daughter Mamie Gummer, who plays her fictional daughter; Rick Springfield, who takes on the role of a Flash member in love with Ricki; and Kevin Kline, who portrays Ricki's long-suffering ex-husband. (C) Tristar
About Ricki And The Flash
Artist : Meryl Streep, Rick Springfield, Rick Rosas, Joe Vitale, Bernie Worrell, Ben Platt, Peter C Demme, Jim Roche, Alexa Klienbard, Keala Settle, Joe Toutebon, Big Jim Wheeler, Brooklyn Demme, Eamon O'Rourke, Aaron Clifton MotenAs : Ricki, Greg, Buster, Joe, Billy, Daniel, Walt, Sharon, Whitey, Elvis Guy, Salt Well Drinker, Salt Well Dancer, Troy
Title : ☮ Online Free Ricki And The Flash For Uhren And Download ☮
Release date : 2015-08-07
Movie Code : 3623726
Duration : 102
Category : Comedy, Drama, Music
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The film roars to life too intermittently.but, sadly, too much of Ricki and the Flash is just the same old song.
Streep finds her way to the soul of several songs. There's devastating connection and tears in these moments: delicate gratitude in "Drift Away," nothing short of maternal redemption in a roaring version of Springsteen's "My Love Will Not Let You Down."
The film, which Diablo Cody wrote and Jonathan Demme directed, is a work of bulk-size bogusness. Barely a single scene is convincing.
Quite a few filmgoers lament the shortage of movies for adults. "Ricki and the Flash" goes against that trend with rock 'n' roll attitude.
A warmth radiates through Ricki and the Flash like a song sung true. A film that adores its characters this much is sure to be adored in kind.
While there are some bright notes in Cody's writing, the situations feel a little tired, and the characters unexplored.
Regardless of its flimsy emotional interior, Ricki is a worthy addition in this year's growing canon of strong female-centred films, and it would be wise to remember Streep's stunning performance come awards season.
Ricki raises smart questions about why a mother's musical ambitions are so much more selfish than, say, seven-time dad Mick Jagger's, and even the shamelessly corny sing-along finale wrings a few real tears out.
The result is cold porridge.
Ricki and the Flash swerves near stereotypes and swerves away at every turn.
It's a crowd-pleaser every bit as calculated and earnestly defanged as a Golden Oldies bus-and-truck tour. It's fun while it lasts, even if the Bic lighters stay safely pocketed at the end of the show.
"Ricki and the Flash" seems like a squandered opportunity for this humane, curious and liberal-minded filmmaker to reflect on some uncomfortable realities. This isn't really rock 'n' roll. It's easy listening.
Just when the story beats start to feel unbearably obvious, the film changes keys, becoming less family dramedy than a concert film.
All good protagonists are contradictory tangles of experience and disappointment, but Cody is so tentative in her approach, nothing gathers steam or sticks in emotional terms.
The skilled veteran Demme alternates dysfunctional family confrontations with easy comedy, expertly peppering in just the right rock tunes along the way. It's hard not to like Ricki, but the film makes no excuses for her actions.
The screenplay doesn't lack for memorable zingers, and thanks to Cody's script and Streep's performance, Ricki emerges as a complex, self-contradictory person (even if most of the supporting characters don't).
As in Demme's best early work (Handle With Care, Melvin & Howard), there is both an affection for a uniquely American type of oddball and a clear-eyed sense of their foibles.
An assemblage of almost-characters in an almost-story, resulting in a very disappointing almost-movie.
There are fleeting moments of real fun. Still, it's hard not to wonder why so much in the movie went so wrong.
Diablo Cody's dispiriting screenplay is all about everyone coming to love Ricki, faults and all, and that is just not convincingly done.
The movie is mature in the way it handles the regrets of absentee parents and the ways in which their children relate to them. There's a little Hollywood artifice here but not so much that the emotions feel inauthentic.
Streep and Springfield make a surprisingly sweet pair of retirement-age rockers, but the scattered story line keeps losing the beat.
Despite Streep's best efforts, Ricki seems more of a contrivance than a flesh-and-blood character.
Creating a film with solid drama beside good humor is tough. It's harder still to balance them against a complicated character so they don't sprawl lopsided, and to send the audience home feeling satisfied.
If only Streep would have put down the microphone and let Springfield sing "Jessie's Girl," "Ricki and the Flash" might have had half a chance.
If only Demme had shot a scene of Ricki stubbing out a joint on a "Cathy" comic strip.
"Ricki and the Flash" feels like "Stella Dallas" as remade by Jean Renoir - it's a humanist suburban fable.
Streep's performance, like lightning, jolts everything.
Director Jonathan Demme, with music in his DNA, offers a heartfelt salute to those who play the underside of rock & roll because, well, they have to. Too bad the rest of the movie is dime-a-dozen family soap opera.
The movie itself seems equally divided between the sensibilities of hyperverbal writer Diablo Cody and music-centric director Jonathan Demme, and ends up falling into a muddy gap between the two.
Even with its well-observed moments, the movie's nonmusical interactions, whether reaching for laughs or poignancy, too often feel flat and forced.
What might have been must be better than what's here, because what's here isn't much.
Demme has already made a messed-up family matrimonial get-together way better than this, with a way better screenplay than the one Juno writer Cody has tossed off.
The story here, like a lot of bar bands, goes loud to cover up mediocrity. When Streep sings, though, so does the film.
Worth watching, and rocking to.
Ultimately, spending time with these people is pleasant, lived-in, honest and even thought-provoking. And when the dialogue stops, there's a fun, golden not-too-oldies live music soundtrack to hum along with too.
Streep's latest mom role, as Ricki Rendazzo in Ricki and the Flash, has a light, Mamma Mia! vibe, but it still hits all those hot buttons.
Streep may have just been looking for some variety and an Oscar. But why is Demme, the great director of "The Silence of the Lambs," wasting his time on this?
This is a shaggy, easily distractible film that consistently defies expectations to both charming and baffling effect.
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